![]() The dinner scene really captivates in its tense atmosphere, apparent throughout albeit more subtle but especially when the accusations of the characters' pasts and crimes are made and after where it builds until a real sense of dread. Beyond the slightly slow start, the episode very quickly gets incredibly gripping. Aiden Turner's much talked about sex appeal wasn't that much of a distraction either. Some may find the violence and swearing is gratuitous, not me, while the swearing is somewhat anachronistic for Christie it does fit the characters' increasingly fragile states of mind and doesn't feel that out of place within the increasingly dire situation. While some may find fault with some aspects like the much talked about swearing, gruesome killings and the ending they weren't a problem personally. The initial introductory stages may be a touch on the slow side, though credit is due for it conveying more menace in these stages than how most of the other adaptations started. It gets off to a great start with this first episode. Of all the versions, the only one that didn't do anything for me was the 1989 film. This 2015 adaptation of 'And Then There Were None' (when aired it turned out to be a huge improvement over the disappointing previous Agatha Christie adaptation 'Partners in Crime') for me is the third best behind the 1987 Russian (the most faithful) and the 1945 Rene Clair (which had a particularly great cast) versions. The plot is simply ingenious, as well as a contender for Christie's darkest, as is the final solution (left me completely floored on first reading, though it is very difficult to pull off adaptation-wise), there is a suspenseful and ominous atmosphere evoked and the characters are interesting. 'And Then Were None' is one of my favourite, and one of my first, Agatha Christie books, as well as one of my favourites of all time.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |